I’m Not Here Anymore, But Maybe You’ll Follow Me to Somewhere New?

Thank you, everyone, for following me on 500 Words on Words!

As you might have noticed, I haven’t been exactly cranking out the new posts here for quite some time. This is because of a number of different reasons, none of which I’ll bore you with.

But what IS important is that I’ve returned from the darkness and am again posting and writing things online at my new site:

www.NathanaelGreen.com 

(I know I don’t need the Ws, but it just looks more symmetrical that way.)

That’s where I’ll be posting about my new writing that’s coming out and generally remarking on oddities that catch my interest, including the types of things I’d write about here plus more about writing, maybe some cool photography, and crazy historical facts I’m learning through researching the French & Indian War for a historical fiction I’m writing with author Evan Ronan.

So, if you wouldn’t mind, please check out my new site and feel free to follow along via RSS or email.

Carefully Crafting Headlines and Barfing Up Titles

There’s a distinct difference between writing headlines for advertising or marketing copy and writing titles for fiction. Here is that difference:

Writing headlines is an interesting, challenging process where I get to try different techniques
to craft an engaging line to elicit a specific response.

–

Writing titles sucks.

Oh, I know they’re both in my job description. As a freelance copywriter, I often write multiple headlines in a day. (Here’s an old post on what it is a copywriter really does, just in case you’ve forgotten.) And as a fiction writer, every piece I write needs a title.

So why the big difference?

Can Your Hands Speak 40 Languages?

I’m always reading and doing research for any number of projects, and occasionally something sticks with me that just continues to be fascinating.

This post is about one of those fascinating things … but prepare yourself.
The more you think about this one, the more interesting it gets.

I Listen to Podcasts. Wanna Know 6 of ’Em?

We’re all friends here, so you can admit it:

You’ve always wondered what I’m listening to while I’m folding laundry.

Give Me Your Shorts and Win NGEP!

You WILL give me names.

You had such a great time with my last NGEP contest that I couldn’t in good conscience postpone this one another day.

(Yes. You did have lots of fun. Don’t argue with me.)

Last time, I pretty broadly asked you to recommend your favorite writers. I got everything from Richard Brautigan (whom I’ve since read) to Christopher McDougall (whom I’m reading right now) to Lev Grossman (whose The Magicians is sitting on my to-be-read shelf at home).

Good show, folks, but this time around, I’m looking for something more specific:

Recommend your favorite short stories to win more
Nathanael Green Endorsement Points!

Not a Review of The Grey

Reviews aren’t my forte, especially not of movies. So this isn’t a review.

Instead, it’s a challenge for those of you who’ve got the stomach for it. And an education for anyone trying to tell a story that will wrench your audience’s emotions.

Go see The Grey.

An Example of Good Copywriting

A lot of the best writing for marketing and advertising never wins any awards. Oh, there are tons of awards copywriters and advertising folks in general can win, and those awards often go to clever, funny ads.

But some great writing just helps drive sales. It’s inconspicuous, but actually communicates with the audience.

Here’s an example:

Why is this such good copywriting? Well, let me tell you:

• It’s short. It gets the point across in 15 seconds.
• It’s focused. There’s no rambling about the 27 benefits of going to Men’s Wearhouse. It chooses a succinct message and delivers it.
• The benefit is clear: buy one get one free. Everyone loves free, right?
• It shows they know their audience and plays off specific desires.

That last point is probably the most important—knowing your audience is paramount. I’m making an educated guess in saying that the majority of Men’s Wearhouse customers are professional men. And if that’s who they’re trying to entice, connecting the ideas of tall, powerful CEOs with their brand is a deft play on men’s desires while still keeping the obvious benefit of savings.

Sometimes the best copy is the least copy. And sometimes that’s the hardest to write. Finding the key message and just delivering the benefits, the emotional timbre you want, and doing it briefly can be exceedingly hard.

But this ad does just that. Nice work.

“The Slut Buck” is in Apiary Magazine

What’s the slut buck, you ask?

I know, I know! You’ve been asking this question for YEARS with no good answer. Well, today, dear readers, if you go download the 2011 online issue of Apiary Magazine (which, of course, you should), your curiosity will be slaked with my short story of the same name.

Plus, I hope you’ll check out one of my favorite stories in this issue: “Only Leaves” by Leyla Eraslan—it’s a beautifully told tale of a girl and her tree that doesn’t know it’s a tree. I hope you like it as much as I do.

Listening to Find Your Characters

I don’t generally attribute specific sources of inspiration to my writing, but occasionally, something grabs my attention and says, “Hey! You need me!”

That’s how I had a theme song for a novel before I even started writing.

Here’s what happened.

Ebooks: Publisher-Murderer, or Savior?

Barnes & Noble's Nook

Ebooks are all four of the Horsemen of the Publishing Apocalypse digitally processed into one little, bloodthirsty file.

Or they’re the shining savior who’ll give all writers bajillions of dollars, euros, or even dirham if they feel like retiring in Morocco.

Whatever. Let’s all take a deep breath and be honest with ourselves here.

Why are publishers trembling from fear and writers from excitement?